On Friday I was having a regular weaving indigo open house workshop at my house. The lights dimmed and flashed and went out. I immediately sensed the worse as I know our town's power is supplied by a nuclear power plant in Fukushima. The house then started to roll more than actually shake. I've been through many earthquakes here and this one felt different. Not in size as the epicenter was far north but in quality. I quickly got my three students outside and away from the house. (Thank you Takeshima san for having the presence of mind to switch off the kerosene heater.) Outside the ground rolled and my tea field across the valley actually warped before my eyes.
The power was off for 12 hours. The trains were down and my students stranded in my town. Thank you Ogata san for cheerfully cooking and keeping us as light hearted as possible as news filtered in. We all have friend's and family in the area of the epicenter and in true Japanese form they remained polite and calm.
Now we have the specter of nuclear meltdown only several hundred km away. Not the lightest hearted weekend I've spent. The unmeasurable misery and pain happening only several hours north keeps my own inconvenience in perspective. Just in case, I decided to take a short trip south last night on a late local train. The wind would blow the radioactive cloud out to sea but there is the chance that it could come over my place. I am open to most new experiences but i will pass on this. So I am holed up in a crummy hotel in the Japanese Alps trying to keep up on the unfolding events taking place at the nuclear facilities. This particular facility has had it's management replaced before for faking documents on safety reports. This coupled with a 40 year old 15 cm metal casing holding in all that radiation...as my good friend Luc would say, "Shaitza Pooch"
Living in a small mountain village just outside of Tokyo, I grow a crop of indigo every year and process the leaves into dye using traditional methods. I also breed silk moths, raise the silkworms and then reel/spin the silk from the cocoons. The silk is then dyed with natural dyes and finally woven on traditional Japanese looms. I run several ten-day live-in workshops a year at the old farmhouse here in Japan focusing on the Japanese use of indigo. Contact me for information.
Sunday, 13 March 2011
Thursday, 3 March 2011
Kato Ko
Ko san and digging akane (madder) in his mulberry field.
I wrote this blog just a few days before the tsunami and nuclear meltdown. There was enough bad news going around so it has sat in my blog edit pile for these past months.
I am very grateful to Minako and Ko Kato who live in a village on the other side of my town. 17 years ago I showed up at their front door and in poor Japanese I asked to see the silk kimono rolls she wove from the silk her family produces. Minako took me to their old clay storehouse and I watched as she opened some drawers and took out some hand woven rolls of naturally dyed hand spun and reeled silk. I took a good look at them and stood up straight and thanked her. In less than one minute the rest of my life had been decided. I was going to learn the processes and make my own silk and weave it. I needed to speak Japanese. I hit the textbooks and cassette tapes and in five months I was back on their doorstep asking them to teach me (in a more advanced state of broken Japanese) all about silk farming, thread making, old weaving looms and tools .
We became good friends over the years. I did need basic Japanese to communicate but our relationship built on years and years of non-verbal communication. Spending hundreds of hours threading and warping looms, digging dyestuffs and sharing time enjoying the lengthy processes brought us close together.
Sadly, Ko passed away last week at 93. The family called and I went over to their house and helped prepare for the funeral. In the country they still bring the body back to the house for a few days. He looked peaceful sleeping on his futon dressed in a white cotton kimono.
Yesterday the buddhist priest came and it was time to take him away to the crematorium. The family members and friends help dress him and prepare him for the seven day journey to the next world. He needs some cute white silk shoes. Some white silk leg protectors to keep the mud off his legs. A bag around is neck with six coins to pay for the ferryboat to the other side. A bag in case he receives any presents along the way. A walking stick because the path is hard. Some straw sandals to walk in. (The ties are cut though in case his ghost decides to come back thus making it impossible to really walk in them.) The coffin was filled with things he liked. Some sake. Some books.
Minako asked me to help her cover him with a beautiful indigo dyed kimono she had woven for him many years ago. She said to him, " Remember this one old guy? You raised the silk cocoons and I wove this for you. It is for you."
Then the coffin was filled with flowers and we drove to the crematorium. It takes about an hour to finish there. The temperature is kept quite low so that the ancient tradition of loved ones picking up the bones together with chopsticks can continue.
He taught me many things about mulberry cultivation and silk farming. I spent many afternoons listening to his stories of the war and the self sufficient ways of the old days. ( He would set a fish trap on the way to elementary school and bring the fish back home after school for the family to eat.) I suppose one bond between us was that the three of us knew very well that life in that simpler time was far more sophisticated and enjoyable. I miss him.