Living in a small mountain village just outside of Tokyo, I grow a crop of indigo every year and process the leaves into dye using traditional methods. I also breed silk moths, raise the silkworms and then reel/spin the silk from the cocoons. The silk is then dyed with natural dyes and finally woven on traditional Japanese looms. I run several ten-day live-in workshops a year at the old farmhouse here in Japan focusing on the Japanese use of indigo. Contact me for information.
Wednesday, 8 December 2010
Indigo Reduction
Indigo dying is tricky.
There are some tribes in Africa that seem to be doing it the no-nonsense way. They take the indigo leaves and pound the pigment directly into the cloth with a small club. This is the smart way to avoid the hassle of removing the oxygen from the dying liquid either chemically of through fermenting. If one of the oxygen molecules in the pigment chemical equation is not removed the indigo will not stick to the cloth.
A fermentation type vat gone wrong is the foulest thing that can happen to a natural dyer. Putrid gas. And things can go wrong very quickly. You start with the vat only one tenth full of high pH water from either seeping ash or with slaked lime. Each day you add a bucket or so. When the indigo compost starts to ferment you add a cup of sugar source to just bring the good bacteria over the edge and to bloom. Too early and it burns out without reaching a kind of critical mass and too late it goes bad. (The whole process is kind of sexy come to think of it.) One time I was stupid enough to add a cup of sugar dissolved in tap water that contained chlorine. I should only use water from the stream next to the house.
In an hour the sharp healthy ammonia smell turned to putrid rotten swamp gunk. It could be salvaged with a chemical reduction agent. The color was fine but the smell was foul.
The recent stink was simply caused by a build up of slaked lime and hydro-sulphate reduction agent building up at the bottom of the vat. The hot summer weather starting it stinking and the smell in whatever form it took just couldn't be eliminated.
Like Velma said, the smell in the dyed clothing can be gotten rid of in one hot water wash.
The indigo bubbles on the surface of the indigo tell you the condition of the vat. If they are purple and oily looking there is enough actual pigment in the water. If they are clear and light blue and slightly frothy you need to add pigment. If the liquid just under the surface is not yellow green that is telling you that there is too much oxygen in the vat and needs to be removed.
If you get to know the sound of a stick hitting the inside wall of the vat you can quickly judge the pH level. A low 'thung' means a low pH. A higher 'ting' means the pH is about 12 where it should be. It takes a few years to get really good at reading the signs in the bubbles and the smell. It starts to get like palm reading when you notice lines and milkiness etc and other finer nuances and their meanings as you understand the vat over years.
Indigo dyed good are often attributed with keeping insects and snakes away, stopping athletes foot, and generally being good for you. I wonder.... I've gotten bitten many times while working at the dye vat and a somewhat doubt the poisonous mamushi around my place could care less what I am wearing. If I really annoyed them I'm sure they woud bite no matter what.
I do think that the bacteria on newly dyed indigo clothes from a pure natural fermentation vat might be healthy but I doubt the indigo pigment has any health benifits.
The color itself is another story. As a natural dye it is gentle to look at and vibrates at a pure frequency. This is good for anyone. Pure and simple.
i like indigo vibrations being good for you. i know that the color is good to look at, very good. do you prepare a new vat now, or wait until warmer weather?
ReplyDeleteagree, there is a peacefulness that vibrates when looking at shades of blue dyed with indigo...
ReplyDeletei never heard how one could judge the ph by sound- there is really much to learn. we are in the middle of a heat wave here in california- my vat is being quite cooperative still.
i am so happy to read this post. i fell completely in love with indigo dyeing a few years ago when i started working at a weaving studio where we do most of our own dyeing for projects. last summer we put together an indigo urine vat...totally foul-smelling to assemble, ferment, and work with, but incredibly beautiful shades of indigo. i love reading about your process, for i am fascinated by all the different kinds of indigo vats and their alchemical nature...and slowly but surely, most of the clothing i wear becomes indigo, and i realize that i love this blue, because it is an elusive, on-the-edge sort of color...blue, and ever so slightly green at the same time. it is a vibration i never tire of. thank you for posting this!
ReplyDelete