Wednesday, 8 February 2017

Smoked Dye Patterns on Deer Leather in Old Japan

Wistful smile on the train through the mountains in Japan to Kofu, Yamanashi Prefecture to hunt out what is possible of an ancient technique of smoking deer leather that has been resisted with string for stripes or rice paste and stencil patterns.

My birthday and the anniversary of immigrating to Japan fall in early Aquarius. 28 full years in my adopted country. It was a anniversary trip.

Wistful hairline....wistful cold wind through my sweater.

Kofu is only a few hours away. It is the peach and grape growing area of Japan. Famous for warlord Samurai, thick wheat noodles, greedy pork barrel politicians  and lacquered leather.

Last spring at Morita textiles, Mrs Morita excitedly showed me a newly acquired pair of deer skin trousers from the late 1800's. The beguiling story of the trousers....they were refashioned from  deerskin samurai jacket from the Edo period. The obvious wear of the jacket collar was now visible on the bum of the trousers. Wow.....

  

The trousers looked like they had a orange striped lining but in more careful examination it was actually the suede side of the leather that was patterned.

  

She explained that the pattern had been smoked onto the leather with paper resisting the stripes. She continued on that is an extinct technique.

Gone.

My imagination ran wild.

The next mystery was how the green colour was created. There are no natural true green dyes in nature. It is always a combination of a yellow and indigo. How can you dye only one side of the skin?

Always playing with the idea of a small indigo museum on the second floor of the clay storehouse next to the house the trousers were procured. (They actually fit.)

They have sat on an open shelf and admired frequently.

I figured out that they had actually come from Kofu a few weeks back and on a clear day a few of us took the train out to Kofu to see what vestiges of the tradition of smoking deer leather we could find.

Turned out to be a gimmicky sort of display in the corner of a gift shop selling lacquered "inden"
leather products. But we all got excited like kids and decided on the spot to rig up a smoker, find a small mountain of rice straw, fix up a barrel to rotate over the smoke, find some deer skin.....and make some smoke patterned leather and paint on indigo on the opposite side.....just for fun.

We are getting all the materials together and as soon as it warms up a little we do it.



These techniques are regional secrets....we asked as many questions as the shop keeper was willing to answer.



And some stealth photographs of the tools hanging around were shared later over a beer as we plotted to overthrow the local industrialists of the neighbouring fife.



The smoker oven with a roof tile door.



Tied and smoked and tied again and smoked some more....so ingenious.

The small museum was just so satisfying. What is the word for the uplifting feeling when you see beautiful old masterfully crafted textiles?

The small museum had indigo dyed deer leather items. Katazome dyed indigo deer leather. Laquer stencilled leather and smoke dyed leather goods.

Jackets. Gloves for archery. Purses. Tobacco pouches. Leather armour scraps. Shoes. Drum bags. Hats. Horse saddles.


So beautiful... all this pre-industrial  Japanese hand work.



















These are deer leather stencilled patches from samurai armour.





Fine stitching on archery gloves.









Regular Ise katagami stencils are used for the resist process.















Thursday, 2 February 2017

Backstrap Rag Weave Luxury.

Japanese back strap looms, Izaribata or Jibata are seductive in their simplicity and shape.

There are a few sitting around the house. It is time to get them functioning and create a room for them. There is a large room with a low beamed ceiling on the second floor at the back of the house. If the  old clay walls are pushed out and floor to ceiling windows put in it will be a comfortable place to weave on these looms. The side of the steep mountain is just out of reach. It is quiet and isolated place in the middle of the farmhouse.

The first step is to get the looms working. The second step is to build a few more looms and then start the house construction devil again. Then the next step is to have the looms operating and have people come and use them. There are plenty of locals who would love the chance to sit quietly in that hidden corner and weave. And a few who will get on an air plane to come and keep the looms company.

Backstop looms are especially suited for rag weave. (saki-ori.) You can bang the beater back with force creating a tight weave.



It is minus 5 Celsius outside and this backstop loom moved into the warm room. Renita & Suzi & I went to an antique store in the next town and bought old kimono from the 1930's and washed and ripped them to shreds and wove up the strips. The loom itself is simple. It is part of your body while you weave. Ripping up old precious silk textiles to create a new textile. The gentleness and strength needed to weave on one of these is musical. Melody and rhythm and bass lines. Choosing the colour silk strips add dimension. Some of the silk is shiny while others subtly lustrous. The blue skies in the day and the painfully cold clear stars and planets at night in the silent mountains are the weather parameters we weave in.





That dark blue silk warp wove up quickly. We set up another wrap of madder/persimmon dyed silk. I weave a few hours each evening listening to audio books with a few glasses of hot sake to keep motivated.




The ripped silk warp is a mixture of old ripped silk kimono and madder dyed silk. This will be sewn into zabuton tatami pillows.

There is an old loom museum not far away. No one ever goes there. I pop in once every few years to check out the construction of the old Japanese looms when one needs fixing at home. (My house is an orphanage for old dilapidated  looms.) The elders sitting around drinking tea amongst the antique loom carnage look up sleepily from their time slip stupor. 

The local variation of the back strap looms for the 18th century forward is just.....amazing.









A few years back.


Some old Meiji and Edo period rag weave indigo jackets I've had for years and never tire of examining and a recent purchase of a saki ori obi from early Showa period.






I should have a back strap loom course up and running in a few years time.  Around the third year of the Trump presidency. If the world hasn't slipped into Fascist chaos drop me a line and come to Japan and weave something.

A call out to Jean Betts. 

Jean, I love you.

Thank you.






Thursday, 12 January 2017

Where is the Japanese Textile Workshop Farmhouse?


To answer the question asked a thousand times....

Here is this old house on sunny June day with the gang all in their own world at the indigo and preparing work for the indigo:



And here are some Google Earth Grabs with Narita Airport on one side of Tokyo and the house on the other side. You can see why there are monkeys and boars running around the village when you see that  we are right on the edge of the wild.  In old times the village made charcoal to supply the old city of Tokyo, Edo.

(click for larger images.)







I am supposed to be leaving for a few months in Russia a few days from now. Unfortunately, one of my doggies, Geiger is not doing that well and I'll stay home and make sure he is comfortable. He has good days and bad days. Recently a string of good days and he enjoys his walks. His nose is going and he picks up rocks and starts to chew on them thinking they are monkey poo.   Yuck.

My house sitters, Renita and Suzi have flown all the way to Japan from Australia...across the madness of Tokyo to this small village to look after the fort while I go away and they end up stuck with me here.

Wasting no time we started to fix up the sorry state of my back strap looms in various states of existence  and get four complete healthy looms up and running.



Here they are using the warping wheel to set a warp length and put the cross in the threads. (Silk dyed indigo.)  We will weave a very fine saki ori rag weave from old silk kimono linings.



And the next step of sleighing the reed.



And the next step of making thread heddles...one by one.



The cold wind is here from Siberia so I do get to enjoy some Russian winter after all.