The machine knits two thin linen threads and a cotton thread beautifully. 70% linen and 30% cotton. I take the tubes and stencil dye on them. I will be having an exhibition in Vancouver in October. It has been a long time since I spent time near the ocean.Waves and more waves. Some of them are Edo period (mid 1800's). They are easy to find at antique markets and can be re-lacquered and netted and used. I drew and cut out some others, seaweed and drooping branches over the water. After dyeing the tubes in indigo ten and sometimes twenty times in indigo, the paste is removed and I re-stencil a different pattern on the linen. Then the tubes are dyed seven times in persimmon tannin. Placed in the sun every morning to absorb the UV rays and turn a crisp brown. The second pasting is removed and the tubes are cut up and sewn back up on my old industrial overlocker.
Thursday, 29 August 2013
Indigo Knits
I have been working with my 1950's sock knitter for almost a year now. I took off the heel function and have been knitting tubes. Cashmere, wool, cotton, silk and linen. Looking for something that felt right. Not just texture wise but something I would want to work with. (Jean, I should have listened to you from the start. Linen is magic. Indigo dyed linen is sublime.)
The machine knits two thin linen threads and a cotton thread beautifully. 70% linen and 30% cotton. I take the tubes and stencil dye on them. I will be having an exhibition in Vancouver in October. It has been a long time since I spent time near the ocean.Waves and more waves. Some of them are Edo period (mid 1800's). They are easy to find at antique markets and can be re-lacquered and netted and used. I drew and cut out some others, seaweed and drooping branches over the water. After dyeing the tubes in indigo ten and sometimes twenty times in indigo, the paste is removed and I re-stencil a different pattern on the linen. Then the tubes are dyed seven times in persimmon tannin. Placed in the sun every morning to absorb the UV rays and turn a crisp brown. The second pasting is removed and the tubes are cut up and sewn back up on my old industrial overlocker.
The machine knits two thin linen threads and a cotton thread beautifully. 70% linen and 30% cotton. I take the tubes and stencil dye on them. I will be having an exhibition in Vancouver in October. It has been a long time since I spent time near the ocean.Waves and more waves. Some of them are Edo period (mid 1800's). They are easy to find at antique markets and can be re-lacquered and netted and used. I drew and cut out some others, seaweed and drooping branches over the water. After dyeing the tubes in indigo ten and sometimes twenty times in indigo, the paste is removed and I re-stencil a different pattern on the linen. Then the tubes are dyed seven times in persimmon tannin. Placed in the sun every morning to absorb the UV rays and turn a crisp brown. The second pasting is removed and the tubes are cut up and sewn back up on my old industrial overlocker.
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linen is awesome and the combination linen ai goes beyond awesome
ReplyDeleteI feel like putting a sign next to the indigo vat. "Linen Only Please."
DeleteOh my, beautiful!
ReplyDeletethank you margery. they are in your palette of colours. b
DeleteWowzers. These are magnificent!
ReplyDeletedanke
DeleteThese are just fabulous, what a brilliant idea.
ReplyDeleteNot so brilliant it took me forever to figure out what to do with that sock knitter. (Knitting socks never occurred to me.)
DeleteBryan - Those are amazing! I remember you showing me those back in June on my last visit but these are just excellent. I can totally see the hours of hard work you put into those hopefully everyone else will. Cant wait to see more, feels like I'm there.
ReplyDeleteThanks Ted,
DeleteThey are coming along. The Dyeing season for persimmon is almost over. Next summer I will make some more. I want to make some mens shirts out of these. Come and give me a hand.
b
Beautiful stuff!!
ReplyDeleteWOW - I can't wait to see/feel these pieces, the idea is brilliant. I have been trying to leave comments but blogger has blocked everything. think I have them outsmarted! Jean
ReplyDeleteLooks like you took them to another level! They are gorgeous! Love the addition of persimmon dye on it ;) - mini
ReplyDeletebryan, it's lovely to see where you've taken the old machinery and stencils. i love the juxtaposition of peace and pattern in the work. (i wish i could see your exhibition!)
ReplyDeleteThank you Velma...I have been so busy and grabbing a few hours here and there to work on this project. I was surprised when the work was finished on the table.... how did it happen? Progress was incremental. Two steps forward and five backwards.
ReplyDeleteis there a word for for that? backrimental? increbackwards?
DeleteThere are now. I'll use them three times a day for a month. Hopefully they will catch on. Preparing for Vancouver, I have plenty of opportunities to use them correctly.
ReplyDeleteb
Truly inspiring! Can't wait to see photos of the installation in October!
ReplyDeleteSomeday, I hope to take one of your workshops.
Thank you Pamela. Thank you, b
ReplyDeleteFlorence is waiting for this kind of art...
ReplyDeleteFrom the very inception of these knits...through every individual stencil and dunk in the indigo......they were heading to Italy. Kazuko, (Shu's wife.) took one off my neck yesterday and put it on hers and said, "Five more for the boutique". I replied, "I don't have enough...these are for Italy." The dyeing season for persimmon is over. I need stronger UV light and heat. I am thinking of taking a suitcase of dyeing work with me to Brazil where I will suffer/celebrate my 50th birthday in January. All this for Florence and Pavia.
ReplyDeleteFascinating, creative idea and beautiful results!
ReplyDelete